Orbital decay.

A few things:

One: When I was a kid, one of my favorite movies was The Gods Must Be Crazy. I didn’t exactly understand it as a kid, obviously, but I still enjoyed it for some reason.

I’m happy to say that at least I understood, as my parents explained it to me then: It’s the story of an African bushman and his tribe who have no knowledge of the world beyond their own, of different cultures and advancements in technology, etc. They have everything that their gods provide them with and they’re happy with that.

One day a plane flies over their neck of the woods and someone throws a coca-cola bottle out the window and it somehow lands unbroken. The members of the tribe discover it and at first thing that the sky is falling. Then they presume that it is a gift from the gods, and they discover so many uses for this bottle. But with that comes an even more dangerous element in their world: property, possession, ownership of a limited resource. And with that comes envy, jealousy, hatred, violence.

The item must be removed from their world so that their tribe and worldview can be saved. So the protagonist decides to take on the task of carrying the bottle away, to find what he presumes will be the edge of world, and he’ll throw the bottle over the side and save his people, and the world. He is the ringbearer and he will travel to Mount Doom. But to do so he must journey for the first time into Hell, which comes confusingly in the form of the the modern world and western civilization.

There’s other elements to the story, of course, but that’s what I always remembered from it: The view of our world as interpreted by the limited perspective of someone from outside that world. Hilarity ensues, and as Arthur C. Clarke told us, to less advanced cultures the toys and tools (and tethers) of more advanced cultures would be indistinguishable from magic.

Two: A “Yes” is better than a “No” almost every time. But it really does matter how you pose the question.

Don’t believe me? Ask John Lennon.

Two Point Five: I’m amazed that we (the royal we) haven’t talked more about John Lennon here.

Three: This blog will be going away soon. Soon-ish. Probably some time this year.

The only people who knew that it was ending was Benjamin Light and myself, and that was only when we decided that it was ending. But like ourselves, I’m sure the two and a half actual readers of the blog were barely surprised with the official announcement.

Once they read it, one friend emailed me and asked me how I felt about the imminent closing of Counter-Force’s doors and I literally shrugged upon reading the email. It’s not like it’s my child or anything, but I’ve enjoyed being a part of the thing and will miss it. The next question this particular friend posed to me was whether or not I felt as if the blog had been successful. That made me scratch my chin. Eventually I was able to answer: “Yes.” To me, by a certain set of definitions, yes.

This blog has allowed me to do things and talk about things and share things that I probably wouldn’t have otherwise been able to do. It’s given me license to explore things that I’ve enjoyed learning about. It’s given me regrets and little moments of agony, things that I wouldn’t have had in the same way without this blog as the starting point, and for that, believe it or not, I’m thankful. Bad times will teach you just as much about yourself as the good times will, if you play them right.

Could the blog been more successful by my definitions or any definitions at all? FUCK YES. But it is what it is and it’s been great when it’s been great, and the game is different than when we started.

Take a look around at the blogsophere now, and compare what you see today to what that landscape looked like four years ago. Everything changes, which is great, and the only constant in the universe, but it’s bizarre how things change.

All of my favorite blogs from way back when are struggling now, it seems. They’re meandering, trying not to waiver in this quantity and qualitiy, but obviously there’s diminished output and even more diminished returns. All my favorite bloggers, those who aren’t struggling along with their blogs, have gone to print media, or to the netherworld that is the writing staff of sitcoms, and they’re flourishing. And they’re not just celebrated and envied now, but also respected. Which may or may not be new.

Four: Just out of curiosity, do websites and blogs still get turned into books, or at least book deals? Do twitter feeds still get turned into sitcoms?

Five: I would kill for the ability to travel in time. In fact, if someone were to put an ad in the personals looking for someone willing to go back in time to kill, like, Hitler, then I would do it. Sure. Sounds legit enough to me.

Picture a narrative, like a story in a computer file opened up in front of you, on your desktop or laptop. Look at the cursor. It can move forward or backward. It can highlight, change, control. The power is at your fingertips. That’s time travel.

Sorry, that’s a bit out of nowhere, I know.

Six: It’s funny to me how the old monsters are still around and still happy to scoop up the sexy younglings into their bosom. And then eat them.

And it’s understandable. A job is a job. A chance is a chance, even in a market or medium you don’t respect. Maybe you can change the system from the inside, but probably not, but who cares? A foot or even a toe in the door is more than what so many of us have now.

We all analyze and talk shit and then sell out. And then shit out some kids. And then die. That’s the cycle of life.

If Benjamin Light were here, he’d tell you that network television is soon to be a thing of the past. He’d tell you that the networks will all be dead or in their cancerous last stages in five years. I don’t disagree with him, but I would disagree on his time table. I think it’ll take a lot longer for them to die and for the new thing that comes after to really get its foothold. “What is dead may never die,” sure, but some things never really die, just shrink for a while. Like print media. Like publishing. I suspect that they may never fully pay the Iron Price, if you will. But it will certainly look like that at times.

All that said, if I were offered a job to write for a network sitcom, I would do it in a heartbeat. Are you kidding me? Of course I would. Fuck yeah. Any shitty ass job too. Two And A Half Men starring Ashton Kutcher dressed up like Steve Jobs? Only seen about five minutes cumulative of the entire show ever, but fuck yeah, I’d take a meeting or submit a spec script or whatever. I’m trying to think of an even worse example…

(FYI – This whole blog thing is obviously winding and grinding down, so if anyone out there wanted to offer me a job, let me just say… I’m cheap. And easy.)

I would literally pitch a buddy roommates sitcom starring Dane Cook and Carrot Top if I thought it meant the slightest possibility of a pay check and to be a breath closer to a creative industry I would like to be a part of. I can’t say that I’d love that job, because… Well, of course, I wouldn’t. But I’d do everything in my power to take that thing that I hated and try to make it something that I can hate less, and I’d much rather have a thing to let go than to never have had it at all…

Meta.

Seven: Here’s an excerpt from a conversation Benjie and I had the other day…

Benjie: This article kind of captures some of the reason that I don’t like blogging anymore: “The Web Is a Customer Service Medium.”

Marco: Interesting article. The last quote in the article kind of sums up a nice train of thought, I think.

Benjie: New potential podcast name: Pedantic Asshattery.

Marco: The medium is the message, and to this day, I still don’t think people understand what the internet medium really is or why things work, or why you should do something other than, “well, someone else is doing it.”

We should start a little dialogue here and turn it into a blog post – which would be so hip – and talk about why we’re bored with blogging, and why Counter-Force is ending, which would the exact opposite of a 5by5 practice.

This follows an earlier discussion/bit of theorizing we were doing about why John Gruber mysteriously or perhaps not so mysteriously moved his podcast, The Talk Show, from one podcast network to another. Also, there’s some ongoing discussion between Benjie and I about a new name for our podcast… Perhaps we can discuss that on the next episode of our podcast?

Also, check out our fucking podcast! Or, rather…

CHECK OUT OUR FUCKING PODCAST! Please. The latest episode is called: “K-Stew Has A Shotgun.”

Benjie: I guess for me, this article articulates why I want our podcast to be “this is entertaining to listen to,” not “I have some opinions on stuff.”

Marco: Well, the tactic that I intend to employ in the podcast, the one that I’m assuming will work for me, is that I’ll have things to say to you. I only ever kind of think about the fact that we’re recording and distributing that recording in some way. That may bite me in the ass later on, but hopefully people will just enjoy listening to us. But hey, it’s free.

Benjie: I live my entire life as though an audience is watching.

Marco: The only audience that I care about consistently is myself. And the million different voices in my head.

Benjie: There is an idea of a Benjamin Light, some kind of abstraction. But there is no real me; only an entity, something illusory…

Marco: “…but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.”

Anyway, I don’t think the internet is going anywhere, and I think it’s always evolving and expanding, but it’s a shallow ocean. And there’s lots of waves with groupthink and LOLcats and porn bobbing up and down all over the place.

Benjie: I don’t think the internet is going anywhere, and what you see on it is just a reflection of culture.

Marco: Right. It’s not going anywhere and it’ll change, as cultures change, but the internet, to me, dances a fine line between not being all that real and being a little too real at times.

Or maybe not real enough? Excuse me, I need to go return some videotapes…

Eight: Was Marshall McLuhan the first academic rock star? I would say yes, at least for our somewhat modern times. Perhaps the first academic rock star was Galilleo, or Isaac Newton. They seemed like real chill bros of science.

But anyway, I’m just bullshitting here. This is just me carrying out some thoughts to their natural conclusions, for now. But if I could further borrow from the man…

Oh yes.

Nine: Here’s one of my favorite McLuhan fun facts…

Not long after he started teaching at Fordham university, and became a full on Academic Rock Star, McLuhan still felt the pressure for people to back up his ideas and philosophies with facts, with proven experiments. So he did so: He split up one of his classes into two, and showed both halves a movie. With the one half of the class, he showed them the movie on a movie screen. They sat there in the dark, watching a large screen with reflected light bouncing off it. The other half of the class was shown the same movie, but on a TV screen.

The result? The two halves took something different from the experience, one side able to discuss the film objectively and the other subjectively. Those who watched the film on the movie screen were able to comment on and critique the film itself. Those who watched it on the TV screen talked more in terms of themselves, how the film made them feel, what they took from the whole thing, etc.

Ten: I hope you enjoyed that story. I’m going to record myself saying that story on a podcast, then film it, then translate it into Japanese, and then back into English, and then I’m going to split this blog’s two and a half readers down the middle and I’m going to show one half that video, spliced into every second and a half frame of a super cut video of keyboard cat versus the Japanese further ruining what we think think/know of porn, and the other half is going to have the video broadcast straight into their nightmares.

The Aristocrats!

Eleven: I don’t mean to be continuously, in the parlance of the internet, fap fap fapping about McLuhan, but the dude was seriously smart, and had some good ideas that only become more applicable as the global village gave way to the world wide web. He was smart enough to realize that the book wasn’t just an invention of ease to deliver information and entertainment, but that it was also technology. The Gutenberg Man had his whole consciousness changed by movable type and technology isn’t just something that mankind creates, but something that recreates mankind. Hence… The medium is the message, we create the medium, which in turn recreates us, new media, old shit/new shit, blah blah blah, fap fap fap.

Here’s another quick McLuhan fun fact…

When they did his book which was to feature his famous slogan, “The medium is the message” as the title, they discovered that when the galleys came back that their was a pretty huge typo present: The Medium Is The Massage. Everyone was furious, except for McLuhan himself. He was a smart guy and probably had a good sense of humor, but now he suddenly saw his simple thought presented as a series of puns.

The message is massaged into the Mass Age which gives way for the onslaught of the Mess Age.

Peace be with you.

Twelve: I don’t know a lot of about the more technical side of the internet, and perhaps I don’t know enough about human beings to even go slightly pop psychology about the larger social networking that happens between us wee simple folk. Memes and SEO and the idea of the ecosystem are all extremely fascinating to me, but feel like they’re still in their infancy. Even with as tired and overplayed as they are in our brains.

I remember at the tail end of last summer Benjamin Light and I were having lunch at our favorite tacqueria and he was trying to explain to me the big tech patent wars that had been erupting over the summer. You know the one? The one in which millions of people who don’t understand how our patent system works anyway were complaining that it was broken? That one. Anyway, Benjie was telling me increasingly humorous stories about CEOs and chief legal officers of these massive corporations shit talking each other in blog posts and in YouTube videos. It was either the battle (of attrition) for public opinion or the ongoing struggle to get the last word, I don’t know, but it was funny.

At the time I made some kind of comment like: “The battle for the Internet will be fought to extremes, but with the tools of the Internet, which makes it ridiculous.”

Here’s a fun fact about me: When I originally typed up that half remembered statement just now, instead of “fought,” I wrote “thought.” Weird.

Anyway, I think the patent wars of last year were actually about phones, or something. Whatevs.

Thirteen: Anyway.

The old media may be dying, but it’s dying very slowly. We’ll have quite a bit of shade here underneath those falling giants.

Or, put another way: Orbits deteriorate constantly. Things fall out of the sky all the time. It usually takes a while, longer than you might think, and they tend to burn up before you’ll ever hear a THUD. And some things are pretty when they’re burning away into nothing.

Or, put another way still: 97 posts to go. It may/may not get a little messy on the way out. And then…

Crazy Town Banana Pants.

99 posts to go in our countdown, but today, for your approval, some pictures

Continue reading

And so it begins.

If you’re reading this, then I have sad/happy news for you. And perhaps not the most surprising of news…

This is post #900 on ye olde Counterforce. We haven’t been as prolific as we used to be, and we haven’t been as loud and verbal, and maybe we haven’t been as excited as we should. We’ve enjoyed a moment together and we’re going to enjoy many, many more as well, but I don’t think this next part will shock you: Counterforce is going to end with post #1000.

Why end it there? Why not just end it here, or tomorrow, or four months ago? Because it’s going to end with #1000, that’s fucking why. Because the time is now and because I think this particular iteration of what you know as Counterforce is ending – if I can be as heavy handed as possible – and it has to end before the next aeon can be born. But it needs to go in its own way, in its own style, and with a little celebration. And a little dark forecasting of what lays beyond.

We’re not planning to bury it. At least, that’s not my intention. It’s coming to the end and I hope to leave its exquisite corpse just laying around for people to enjoy. But this isn’t a funeral. This is going to be a fucking dance party with eulogies and crazy LOLcat GIFs. There’s plenty more YouTube embeds and shit talking and Jackface pictures and theorizing about the fate of Don Draper to come before we sign off at this particular URL. We’re still going to talk about the things we like and love and hate and detest while also being super mega self-referential and taking this thing so far down the rabbit hole and up our own asses that the sunrise/set will seem like a perpetual strobe effect.

In short, we’re going out with banging and whimpering, and hopefully both in rhythmic and wonderful succession.

I remember that when the 80s ended, as U2 had their final concert of the decade, they went out on this intensely ominous note, telling their audience that they had to go away for a while and dream it all up again. Most people walked out of that decade thinking their favorite band was over, gone forever, but that wasn’t the case.

Again, that’s a bit heavy handed, but I’m this close to embedding Semisonic videos and telling you that every new beginning starts from some other beginning’s end. Perhaps instead I’ll just tell you that you don’t have to go home, but you just can’t stay here.

Not forever, anyway.

Anyway. Count your fucking blessings. You were lucky enough to know us and enjoy this time and this place and moment. We were lucky enough to know you and fap fap fap fap fap about things we liked or thought were important. And we’re doing to keep doing that here for another 100 posts, and we’ll keep doing it elsewhere. There is, for example, the podcast to brighten and enrich your days now. That’ll be an ever evolving thing. Put it in your ears and your mind. And keep your eyes coming back here for the next 100 posts. The final 100 posts.

And then when you close your eyes, all will go dark. But when you open them again, perhaps there’ll be something new there, just waiting for you to see it.

I hope everyone will come back. Everyone who has ever done anything with this site, or wanted to, and everyone who has ever read it. I want to bathe in all the old jokes and callbacks and motifs and references and the things we loved. I want the old shit to make friends with the new shit and then take the new shit behind the middle school and get it pregnant. And, with any luck, Counterforce will end this year. It’s kind of exciting to think that our last dance would take us right up to the stroke of midnight at the end of the world, right?

Signal to noise.

I’m reading enjoying this new season of Mad Men – no surprise, that – but I especially enjoyed the most current episode, “Signal 30.”

Easily one of this show’s “instaclassics,” right? Pretty much on par with last season’s “The Suitcase.”

It especially fascinated me because it was a Pete-centric episode, especially since Pete was always my least favorite character. For the first season, he was the show’s villain du jour around the office, and his whole personality was always designed for you to love how much you hate him. Plus, I despised the actor by association of his character on Angel. And yet Pete is one of the realest depictions of what it’s like to work in an office like Sterling Cooper Draper Pryce and try to stand beside the towering monolith of all things awesome which is Don Draper and try to survive with the comparison.

I think once upon a time Peggy was also that character for us, young and hungry, trying to learn from Don and become like him, to become something in the advertising industry in the 60s, to be admired by peers and to leave the office each day with some self worth, but I think that’s beyond Peggy now. Or, rather, Peggy is beyond that. I think the show’s done a pretty good job now at showing that whatever Peggy’s destiny is, it’s not to become the next Don Draper. It’s to become something different, something new in the changing world that Mad Men teeters on the brink of.

And then there’s Pete. And Lane. Two guys who will always be fish out of water, who work hard, but can’t shake the fact that they feel they’re owed some other kind of respect. There’s struggles and there’s loneliness and there’s a lot of stabs in the dark at connections with people that ultimately fail. And then there’s the loneliness again, and the passage of time and the moments that always slip away. This show is so good at showing at time is always moving, always getting away from you.

There’s an expression that I always used to hear as a kid (far too much, in fact) that went like this: “God always answers your prayers, but He does so in the order in which they’re received.” Once upon a time, Don Draper’s confident, self-assured life looked perfect to Pete. The wife, the kids, the suburbs. Pete went out and got that for himself, without taking the time to appreciate it, and now it feels even lonelier. Don’s happy little life slipped away from him and he found himself another one.

And again all Pete can do is look over there, angry and envious, feeling as if he has nothing, and therefore is nothing.

The only thing I think that Pete Campbell/Theon Greyjoy wants to be more than Don Draper is not himself.

He’s a guy from a family that once had privilege, but they gave it all away. Probably because they figured that they were sitting on an endless supply of it. Sadly, Pete inherited a lot of that thinking. And now he’s either out there, acting without thinking, trying to claim what he feels should have always been his, or he’s left alone, so alone, sitting on top of a mountain of thoughts about how everything should be is and yet, somehow, is not.

There’s something just amazing about this past episode to me. The rhythmic moving of the teenage girl’s sandaled feet, keeping in time with the dripping of the kitchen faucet that haunts Pete, keeping in time with the ticking of the clock. There’s a man on a clocktower picking off pregnant women with a rifle, and Pete’s life is mired with echoes and ghosts, all visible but intangible, all tasting of ash.

And his former enemy, Ken Cosgrove, having himself surrendered in their rivalry, and somehow still doing better and happier with a successful career as a sci fi writer and married to TV’s Alex Mack. Kenny Cosgrove turns his dinners into drinks and he still finds time to write about robots who repair bridges, and meanwhile neither Lane nor Pete can maintain the ones they hope to link them to their fellow men. How can Pete learn to drive if everywhere he’d drive to is the same old shit that he brings himself wherever he goes? How much more irony and neat little metaphors can be packed in here?

I could go on and on, but bottom line: It was good. The episode had a sort of mesmerizing quality about it. The noble sadness of the normal guy, who is doomed to never appreciate what he has and something, something, something about a dog with two bones. Nice direction by John Slattery and an excellent script co-written by the writer of Dog Day Afternoon and Cool Hand Luke, I chuckled when I heard “Ode To Joy” playing.

Just like this season of Game Of Thrones continues it’s not too subtle quest to define power and where it comes from, the characters of Mad Men are just struggling to keep a little of it for themselves. Time keeps on slipping, slipping, slipping into the future. They keep foreshadowing the death of Don Draper, which, in Mad Men language, I presume, will mean that someone close to Don will die this season rather than Don himself. No one wants to see Don Draper dead but we’d all like to see Don Draper deal with a loss so close to home, or so work, or to wherever his interior self lies.

So much of Game Of Thrones‘ story lays in its past, but the TV show nor the books (I’m only like 200 or so pages into the third book so careful on the spoilers, please) want to go back there. Mad Men will do flashbacks, sparingly, but it’s just to show you how much can change in so little time. The point of both shows is the same: This train is not stopping. It only goes faster. And we’re heading into the future.

One minute your dad is the Hand of the King and the next minute he’s getting his head chopped off and the sons of bitches all have crossbows pointed at you.

One minute every thing is fine and dandy at the whorehouse a few blocks from here and then the next a life, a marriage, and the hopes at landing that contracted are ruined by some bubblegum found on the pubis and we can only settle this one way…

Like men. In the medieval ways that we think men are supposed to act.

It’s hard to put one foot in front of the other when you have no idea where you’re going and no idea what you want out of the journey.

Return to Tomorrowland.

Mad Men finally returns tomorrow!

About fucking time, right? Bring on the cure for the common television show.

All I know about tomorrow’s episode is that it’s two hours long and supposedly called “A Little Kiss.” Other than that, I’ve maintained a blissful sense of being unaware… What will year will the show be in when it returns? Will Don have finally married his secretary, or even still be married to her? What will be up with Peggy, and Pete, and the rest of Sterling Cooper Draper Pryce? Will Joan’s husband have been killed in Vietnam yet? And, sigh, what will be the state of Betty Draper?

Those, of course, are just a few of the burning questions. And oh, how they burn.

I don’t have the answers to any of those questions, not yet anyway. And I guess you could say that I’m ready to be hit over the head here.

Until then though, this is talking about some previous Mad Men episodes and other Mad Men Mania:

Tomorrowland.”

The intoxicating weirdness of Jon Hamm.

Christmas Comes But Once A Year.”

Public Relations.”

The timeless wisdom of Marshall McLuhan.

Shut The Door. Have A Seat.”

The Dream Of The Fisherman’s Wife and the art fetish of Burt Cooper.

The Grown-Ups.”

The Gypsy And The Hobo.”

The Color Blue.”

Wee Small Hours.”

…and many, many more.

Anyway, we’ll definitely be watching tomorrow. And we assume you will too. See you in the future.

“Politics is about people.”

I could not be more excited about Armando Iannucci’s new HBO series, Veep, which stars Julia Louis-Dreyfus.

Well, I feel like “could not be more excited” might be inaccurate, so let that instead something along the lines of: This is something I need in my life right now. Also, the world/the country might need it in their lives as well. And Julia Louis-Dreyfus too, because her career deserves to survive the post-Seinfeld curse.

I never saw any of The Thick Of It, unfortunately, but In The Loop was so good, that I’m excited to see the same thing come to America, which was shown to be work just as well in that form, as presented by In The Loop.

In fact, I really hope that Anna My Girl! Chlumsky’s character in Veep is the same character from In The Loop, just a few years later and with a better job, and that the show exists in the same “universe,” because then there’s a good chance for an appearance by Peter Capaldi’s Malcolm Tucker.

And also, the timing is right for a show like this in this new post-Sarah Palin world and blah blah blah blah blah blah blah blah, and with the primaries, and it being an election year and blah blah blah blah blah. And mainly: It wouldn’t kill us to have some good shows to care about again.

Assembling.

ATTN: Counterforce has turned nerdy as shit.

Two thoughts about this new trailer for The Avengers

Thought #1: I feel like if I wasn’t such a Joss Whedon fan, and also if this wasn’t the realization of so many of dorky dreams as a kid standing there in front of the spinner rack when I was so little, that I would hate what I see in this trailer and find it so cheesy. But I don’t. I find it, in a word, AWESOME. My whole being is HULK SMASHING/devolving  its way into a full FAN BOY FRENZY.

Thought #1.5: It looks like so many scenes of this movie will involve the team working together to fight off alien baddies in the crumbling ruins of Cleveland standing in for NYC, and it reminds me a lot of Warren Ellis’ classic The Authority, which was a wonderful analogue for DC Comics’ big hitters, The Justice League Of America.

If there’s any out there, anyone in the world, who doesn’t get who the Justice League Of America are (who, I’d wager, are probably more popular in the everyman and woman than The Avengers, just because the JLA is made up o’ the Big Guns, and not just the Big Guns + characters like Hawkeye), then my simple analogy would be this: The JLA are DC Comics’ jerking it to the right while The Avengers are Marvel’s jerking it to the left.

Also, that’s just a penis and masturbation metaphor folks, not a political analogy. Or is it? Hmmm…

Anyway, long story short, this film looks like it’s finally the movies living up the early 00′s dip into WIDESCREEN COMICS, which were the dream of comics emulating the movies, and it looks GLORIOUS. ALL CAPS NERDERY.

Pre-Thought #2: This is the new poster for the movie:

This is a fine example of a bad poster.

Also, sorry, that’s the UK version of the poster, because in the UK the movie will be called Avengers Assemble. I don’t know this for sure, but I’d guess it has something to do with the TV show? ScarJo’s Black Widow looks kind of like Uma Thurman’s Miss Peel, right? Ugh. Right? (Or was it Mrs. Peel?)(I think it might’ve been Mrs. Peel) But neither Robert Downey Jr. nor Jeremy Renner is a Ralph Fiennes, nor a Patrick Macnee.

Thought #2: Ever since the moment it was rumored and then announced that Joss Whedon would be writing and directing The Avengers (and probably script doctoring the Captain America movie as well), Benjamin Light and I had had this running joke: Well, since Marvel likes to fuck things up, and fire people, there’s still p l e n t y of time to fire Joss Whedon…

And then when the Internet informed us that the first day of filming on The Avengers had commenced, we thought, “Well, there’s still plenty of time to fire him.”

And as new set reports came in, and rumors about various scenes, and mini trailers attached to the end of the Captain America movie, and the announcement of the end of principal photography, and then Super Bowl trailers being show during the Super Bowl, we kept saying, “There’s still plenty of time to fire him, and Marvel’s probably just waiting for the right moment.”

Anyway, May is so close! There’s still plenty of time for Marvel Films to scooch on in here and fuck this up by firing Joss Whedon. Hope not, but just saying. And I’m sure that however too much screen time they’ve already signed over to Robert Downey Jr. they can probably squeeze in another half an hour or forty minutes for him.

The Rise Of My Dark Knight Rises Anticipation Boner.

I’ve always wanted to title a blog post something as eloquent as that. Wonderful.

Anyway, a recut of the trailers from the three films in Christopher Nolan’s Batman trilogy, but with Michael Caine‘s voice over from The Prestige trailer laid over…

…And it’s fitting. And wonderful. And exciting. In preparation for this movie I’m attempting to strongly cultivate a healthy environment for my excitement and anticipation to grow, while not being ensnared by expectations.

Also, this:

You know what?

Whatever! And this:

Also, this.

You could have it all.

Mad linkage:

What happens when the scary predictions of speculative fiction start to come true earlier than expected?

I guess you could say that I’m excited to see A Dangerous Method.

Best Coast and WAVVES.

An interesting interview with Steven Soderbergh about Contagion.

Did Chris Martin cheat on Gwyneth Paltrow?

J.J. Abrams is doing some cool new shit.

Science fiction magazines and The Joy Of Sex.

from here.

Noah Baumbach is developing Jonathan Franzen‘s The Corrections as an HBO series.

Post-apocalyptic porn. Sure, why not?

Matthew Fox could be in some trouble.

Saturn is beautiful.

The critics of Joan Didion.

This is Peanut St. Cosmo’s new favorite picture on the internet.

What does clitoral stimulation do to your brain?

Post-Sept. 11 Saudi Arabia is modernizing, slowly.

Mos Def will no longer be Mos Def.

Kitty Ravenhart’s selection for The Best Of Yahoo Answers.

Did you drain your balls at DragonCon?

More leaks from David Fincher’s The Girl With The Dragon Tattoo.

from here.

A guy jerked off to me in the subway and the NYPD didn’t do a thing.”

I feel like with each passing day I’m a little more amazed that The Avengers movie is happening.

The beginning of the end for Yahoo?

Johnny Depp to star in another fucking remake, this time of The Thin Man.

Female blogger threatened with defamation suit after writing about TSA rape.

Jeff Tweedy and the Black Eyed Peas.

Tech company to build science ghost town.

A new story by Haruki Murakami.

Very cool fan art.

A huge list of deleted scenes that are awaiting you on the new Star Wars blu-rays.

Yelping with Cormac McCarthy.

NYC bans dogs from bars.

A movie about Keith Richards?

Reality as a failed state.