Where we leave off…

And the beginning starts.

from here.



from here.

There’s a few hours left in the day, but I’m gonna risk it: Happy 14th B’ak’tun, everybody!


And so are you.

I repeat this a lot, but this is one of my favorite quotes, and it comes from Klaus Kinski’s autobiography, Kinksi Uncut:

“I once asked a Gypsy girlfriend whether she ever went to the theater or the movies, and she replied: ‘When I was fourteen, two men fought with knives over me. One stabbed the other to death. I touched the dead man; he was really dead. The other was really alive.’

Thats the difference between make-believe life and real life. Mine is real.”

Kinski was very intense, but silly. But ever since I read his book in my early teens that quote has stuck with me.

File this one under: Supplemental, and Ancient Hollywood Weirdness.

I can see you!

from here.

“For the World Is Hollow and I Have Touched the Sky.”

Like my previous post, this will be just a few things, some half way there thoughts…

One: The sky is still falling, and this blog is still coming to an end. We’re getting there, but slowly.

After this: 89 posts to go.

Have you listened to our podcast? You’ll notice that a majority of the posts now are just tools for you to download each new episode (but we’ll be on itunes soon). Not every post from now til the end – from this time to the end of time – will be solely about episodes of the podcast, but a good chunk of the rest of this blog will be eaten up by the creature that is consuming it and evolving out of it.

Evolution imagery is gruesome and interesting.

Two: It’s probably been a hundred years since I saw the Star Trek episode from this post borrow its title.

I vaguely remember it had a premise that sounded less interestingly like a very interesting (at least in its promise and potential) show that Harlan Ellison created way back, called The Starlost.

I won’t rehash the show’s plot, especially since you can just read about it on the Wikipedia link, but from what I gathered the show was terrible. But in reading what’s there, to me, I see the potential for something amazing, something that could be brilliant with a little bit of re-conceptualizing and competent execution.

Brilliant and intriguing puzzle/mystery box shoes still seem to be highly lusted after by network TV execs in these post-Lost wilderness years, but it seems like no one has the time to invest in competent conceptualization and execution. So it goes. Instead of our altars, we’re building our own coffins.

Three: Speaking of The Starlost, also read up on the idea of generation ships, and holodecks, and the Danger Room from X-men comics, the Dreamatorium from Community, and Arthur C. Clarke’s Rama series.

And see also: the “Mystery In Space” and “Rendezvous” issues of Warren Ellis and John Cassaday’s Planetary comic series, which was one of the best pieces of storytelling that I’ve had the pleasure to read in the last ten or so years. On its surface, it’s about mystery archaeologists, but in reality its a love letter to certain kinds of storytelling from the previous fifty years of our culture.

Four: We eat our young. Only those lucky or tough enough to crawl away are potentially worthy of living to tell the tale.

Five: This is the new decade. There’s bigger and better thinkers who are more capable of this, better suited to the task, but I wonder what this new decade will look like. What innovations and disasters and pop confectioneries will define this new unit of measuring time.

And from that, I say… Does this decade, still in its relative infancy, still feel remarkably similar to the latter days of the previous decade? Isn’t that how it goes? Did the initial years of the 80s feel similar to waning years of the70s? Did the first few years of the 90s look anything like the middle years of the 90s?

Six: I’ve never seen Rainer Werner Fassbinder’s World On A Wire, but I’ve always wanted to. I guess that, amongst other things, what’s been holding me up is that it’s a piece of old 3 1/2 German sci fi. That and it wasn’t readily available until the it was released not too long ago as part of the Criterion Collection.

The Criterion Collection. Of course.

The movie is based on an old novel, Simulacron-3 by Daniel F. Galouye, and I have seen the American movie adaptation of that book…

Seven: When something is said, or when art is created, mixed with business and pleasure, how often does it come from a real, authentic place, answering questions or curiosities that are out there amongst the community? Or, especially when you lean more towards business rather than pleasure, or the pleasure of business, does it come from the perception of an interest within the larger community, the popular imagination, or a desire to create and inspire that perception and then make money off of it?

Eight: In the 90s, especially towards the beginning of the 90s, but a little at the end of it, it seemed like we didn’t know what we had on our hands. Not yet anyway.

It’s like Murphy Brown’s baby, that was born amidst a certain level of generated/unnecessary controversy. It was raised by the guy who was painting the house for years and years and wouldn’t be named until it could be deciphered, or understood. I know that kid eventually got a name, but wasn’t he, like, twenty at that point?

In Sci Fi trends in the 90s it seemed like they were mixing the 70s paranoia rehash that was being re-conceptualized in The X-Files with this desire to pursue the new, the fringes of oncoming technology and the things that we assumed would be important.

Spoiler alert: I’m going to start talking about virtual reality in a moment.

On top of that, you had boy bands and you “alternative rock” and I remember going to high school and hearing bullshit arguments about who was or what constituted being a “poser.” I heard some kids of being accused of being “wiggers.” On one hand we were growing up to want to start living lives out of the movies that had raised us when our parents were busy, and on the other hand we were accused of appropriating lives and roles that it was felt we had no right to. In music and society and goofy cultural matters there was this question of authenticity.

Perhaps you’re not real. Perhaps you only existence in the simulacra of someone else. And perhaps because you think, therefore you are…

Unless you’re just programmed to have thoughts, or to think you’re having thoughts. Who is telling this story? And to whom?


The American movie that came out of Simulacron-3 in the 90s was The Thirteenth Floor, starring Craig Bierko, Gretchen Mol, Armin Mueller-Stahl, Vincent D’Onofrio, and Dennis Haysbert. It’s a murder mystery set within a company that’s created a new simulated reality, and there’s a twist. The twist is not hard to guess.

from here.

The tagline for the movie was “Question Reality.” I find that interesting since the tagline for American Beauty, which came out int he same year, was “Look Closer.”

Is it possible that we’re missing something?

The Thirteenth Floor was/is not a bad movie, just a movie that wasn’t thought out far enough to its natural conclusion. It reminds me in some regards of a movie that would come today in that it seems like it’s two drafts of a script away from being much, much better. It’s a very American movie that’s concerned with the nature of our reality, with existential paranoia, mashed up with echoes of a film noir feeling.

But then again, a lot of its problems can be summed up with two words: Craig Bierko. Another bizarre, failed experiment in creating a leading man out of literally nothing.

Nine: Granted, The Thirteenth Floor was not a movie from the early 90s, and in fact came out in 1999, around the same time as The Matrix, a movie with an arguably incredibly similar premise, especially concerning how many elements it ripped off from Grant Morrison’s The Invisibles.

Also, there was David Cronenberg’s eXistenZ and Alex Proyas’ Dark City (which I never saw cause it looks stupid), and The Truman Show, which had similar heavy overtones. But earlier in the decade you had the short lived Fox TV show VR.5 which, if I were to watch it now, I’m sure I’d more than cringe at, but at the time, I thought was incredibly intriguing. That show starred Lori Singer, Anthony Stewart Head, Will Patton, and David McCallum.

Ten: At the start of this I talked haphazardly about the idea of a newborn decade dreaming of the past, but really it’s a matter of the new decade dreaming of the future, of what is to come? I should be talking about Christopher Nolan’s  Inception here probably. Something something something THIS DREAM IS COLLAPSING.

Eleven: From Borges to Pynchon to Phillip K. Dick, so much of our fiction comes back to questioning the layers of reality and how we perceive it. What is real? What is really happening? And what is the reality of what is happening, real or otherwise?

Reality may be real, or it might not be, at least not real in the sense that we think of, but we share it, and we create it together, don’t we?

from here.

Twelve: Personally I would state that the experience of an event is the reality of it, at least in the moment. Reflection is easy, but it only casts a shadow over reaction in retrospect.

Thirteen: For now, this blog is moving forward, but it’s marching onward to its eventual demise, of sorts. Even on the internet, matter can only change forms, not be fully destroyed (I hope). Soon, what is currently thought of as Your Friendly Neighborhood Counterforce will become a time capsule, once it’s fallen completely out of this virtual sky that we’re all looking at together.

Motion pictures arts & sciences.

I don’t have a whole lot to say about the glitz and the glamor of the Oscars or Hollywood royalty or whatever, but let’s get down to brass tacks, people: Predictions. I want to hear yours. I only have a few I want to talk about here, so let’s get down to what I feel is the strongest lock of the night…

Aaron Sorkin for The Social Network‘s screenplay. What is that, Best Adapted Screenplay? Yeah.

Next: Best score.

Probably Trent Reznor and Atticus Ross for The Social Network? I guess? Though I do like Hans Zimmer’s score for Inception, but I just don’t see it or any of the other nominees taking it. Reznor and Ross’ score is just so different and stands out head and shoulders above the rest in so many ways.

Next: Best Acress.

Is there anyone out there who doesn’t think that Natalie Portman will get this?

I’m surprised they didn’t mail this to her like a week ago. Actually, that’s not true. I’m saying there’s a 94% chance it’ll go to Portman, and a %6 chance it’ll go to Annette Bening for Lisa Cholodenko’s The Kids Are All Right.

I want to make the point that, sadly, I haven’t seen as nearly as many of the nominated movies as I’d like this year, but that’s true of just about any year, unfortunately. Even sadder still is that I don’t think you need to see the movies to make fairly informed guesses on who’ll win. So much of the Oscar wins can be predicted on either buzz or what the Academy has done before or both.

Next: Best Supporting.

I feel like Christian Bale and Melissa Leo are both going to get it for David O. Russell’s The Fighter.

Much, much smaller chances: Geoffrey Rush or John Hawkes, but I just don’t see it.

Next: Best Actor.

I don’t have a clue. Colin Firth, most likely. If you’d put a gun to my head, that’s what I would’ve said. But maybe Javier Bardem too, but I’m saying that just because he seems like such a dark horse candidate.

Next: The main event. Best Picture.

Forget all the other movies, it all comes down to The Social Network and The King’s Speech. Right?

from here.

But not Black Swan. Sorry, Black Swan, you’re not perfect enough.

If I had to guess, I’d say that The King’s Speech will get it, unfortunately. I’d love for Inception to get it. You know why? JUST CAUSE. Fall asleep on an airplane and I’ll put that idea in your brain. But I think Time magazine pegged it most accurately: This all comes down to the new vs. old. The Social Network is a movie completely unlike anything else that’s been nominated for Best Picture before and The King’s Speech is just another helping of the same old shit. As Time also put it: This comes down to head vs. heart. The Social Network is a highly intellectual film and The King’s Speech is pappy crap, that same shit that tugs on your heartstrings again and again each award season. Vanilla bullshit.

Voting for The King’s Speech is a bullet in the head of a newborn kitten! You might as well go vote for Life Is Beautiful again! Ugh. And yet, I feel like it’ll win, as do a lot of people, of course. I feel like the writing is on the wall…

That said, I feel like this might be one of those weird years where whoever gets Best Director might not get Best Film as well. Or maybe not. I just can’t see Aronofsky or David O. Russell taking home a little gold man tonight.

This should be exciting though. Are you ready? Can you feel the heat?

And what’s your predictions?

Neue Haas Grotesk.

Below is the trailer for Gary Hustwit’s documentary, Helvetica, which I watched the other day…

…and it was absolutely fascinating. Not necessarily revelatory, but certainly very interesting. I’d definitely recommend it if you’re even mildly interested in typefaces and design and the history of such things, but without going into details, I can give you the gist of it here: The font was created 54 years ago by a couple of guys in Switzerland (and originally entitled “Neue Hass Grotesk”) to signify and be the font of a new modern age and you know what? We’re still in that age. As the trailer suggests, just look around the world you live in today and see how much information is delivered to you in Helvetica.You may not love the look of this current aeon, but this is what we have and where we live and what we look like until you design something new.

Also, the soundtrack is pretty excellent. And I’m not a font nazi by any means, so I don’t hate Arial. In fact, I like it quite a bit, though Helvetica is still superior. It’s got that crazy cool street cred.

And a bonus video: Here’s the teaser trailer from the upcoming Cloverfield 2: The Suburbs

Actually, no, this is video, from here, is just another example of why it is both a terrible idea and a FUCKING AWESOME idea to do fireworks in neighborhood, preferably your own.

The blank page.

By Grant Snider, from here.

Chaos reigns.

Antichrist, 2009, directed by Lars Von Trier, and starring Charlotte Gainsbourg and Willem Dafoe.

Here’s a few selected comments left on the page for the film’s trailer at  YouTube…

“I really want to see this, it looks interesting……….”

“I’m looking forward to see it :)”

“Pessimo gusto artistico..pessima interpretazione… mi aspettavo molto di piu’… troppo satico trama banale fatta la risposta a tutto cio’ è la semplicità e quindi…in fondo non c’è niente da capire oltre alla storia stessa che è riuscita a mala pena a spiegarsi attraverso quel povero e scarso linguaggio cinematografico… si vede il cinema danese come qualcosa di futuristico di innovativo…io vedo tutto cio’ solo come un obbiettivo non del tutto raggiunto.”

“Look’s crap” and “Look’s boring.”

“Um. Gross. Willem dafoe should never fornicate.”

“What is this movie about? Is the woman the anitchrist or the guy?”

“I think that antichrist is something being deep inside our nature that makes all of us to live in pain, grief, despair, fear, – to hate one another and to hate ourself…”

“LOL that’s deep. Agreed.”

“Theory: You’re an idiot.”

“Theory: your theory is correct.”

“Looks retarded. And are they doing it in the woods at the end?”

“I was fortunate enough to see this movie, it’s pretty good.”

“Yes, you people go watch your nice love films with the happy ending and then cry cause your life is pathetic… Art is not for everybody… Thanks, Satan!”

“Terrible movie. Why cant anyone produce a real movie with a real story? As for sex scenes in movies, that is so 1980’s. Nobody puts sex scenes in movies anymore, or even tits. Its retarted. If I want to see a sex scene ill just watch a porno.”

Editor’s note: You’d be amazed at how many typos or simple grammatical errors I’ve corrected so far, especially since I have too hard of a time just copying and pasting it that way. However, some of these things I will leave as the original comment’s author intended though. To do otherwise might prove to be, ahem, retarted.

“McAmerica is no longer a true Western Nation, since most of it is now produced in China. McAmerica, made in China. Now available at Walmart.”

“What a pithy and educated depiction, you must have escaped the pervasive westernizer gew gaw that transmits from the peak of the Washington monument and tranquilizes the sheepish populace into a Dorito-stained stupor. or at the very least, you’re certainly smarter having never been around it. in Mohamed’s name we praise peace, love, and understanding.”

Editor’s note: In the previous comment, that commenter was replying to another commenter whose screen name was a play on Mohamed, but I changed it.

“American movie goers are so dumb, all studios have to produce these days is REMAKES. ‘Duuuurgh dis a good movie. better dis time coz they dun took out most of da talkin and put in more cgi duuuurgh nukes.'”

“Hey man… hey… fuck you, okay!?”

“…in places like France, Spain, Italy the culture is to enjoy life. To spend forever at lunch, to sit in the sun discussing politics or history, to go to markets and street fairs. They go to Bistros, Cafes, Pubs. In America they go to Walmart. They go to Macdonald’s. They go to CVS to pick up medication to relieve the McBlockage their diet has produced in their colon.

Contemporary Americans don’t value life, or art, or culture. They value money. Contemporary American cinema reflects this.

It’s a sweeping generalization sure, but the fact remains American cinema has taking a creative nose dive over the past ten years.

Something you brits may not know, but Americans are utterly obsessed with making money. They value their bank accounts more than anything else. This is why America’s economy is so large, but quality of life is so utterly appalling. They work hard, then sit. They buy cheap, and dispose of it. Big is better. The word ‘quality’ doesn’t exist in American dictionaries.”

“I’m American and I have to agree with you 100%. This doesn’t mean I hate Americans or am an asshole but I fully believe that most Americans are slaves to the money and the wrong idea of enjoying life’s riches. Work, then sit and overeat and watch stupid reality television that glorifies violence and idiocy. Creativity and the love of the world is missing from most Americans nowadays so why would American cinema even try to make these creative artistic movies when they raise us on violent pure shit.”

“Wow… How pretentious of you to make such a wide generalization of American culture. Art is meant to make you feel something… Whether thats fear, love, disgust… All acceptable and sought for reactions. This film isn’t targeted towards mainstream audiences, so some people can’t connect with the style of film… Just the reality of the world we live in.”

“You’re calling ME pretentious? What about Hollywood? The primary source of American film culture? American film studios pump out movies so dumbed down that a mentally handicapped chimpanzee would be disappointed by lack of mental stimulation.

They’re well aware of how closed minded American movie goers are, and tailor films accordingly. Here’s what the average American says about ‘Art’.

‘Art’s fer fags n Euroqueers, freedom.'”

“Admittedly American films are often without intellectual content. But in my opinion European films head to the other direction, they try to hard to appear sophisticated that the storyline and character development of their movies suffer.”

“European films don’t have the same budgets, so they have to rely on (real or imaged) intellect. They very often seek to explore human nature, which from a cynical Europeans pov is a very disturbing subject.

Like you said, stories and character development are often lacking.

But we can say the same about Hollywood. Brits make some good films. Depressing as they are.”

“You are fully (aw)are I assume that Lars Von Trier isn’t British and that the entire cannon of British cinema is not ‘depressing?'”


“It’s surely a bit ridiculous to say America is incapable of making good or, perhaps more importantly, worthwhile films. Just as it is equally ridiculous to say that all European/British films are ‘depressing.'”

Editor’s note: We’ll leave it up to you whether or not you think that British films are depressing.

“this movie sucks big time!!! i saw this movie in the theathre, and in the end everybody looked at each other with a look “WTF?!” this movie is a waste of your time!! I could’ve done it so much better, but noooooooo lars von trier is soooooooooooo special….i hate that stupid c*nt for making me spend my money on that movie!!”

“Bet over half the people talking shit about this film have simply read up the synopsis on wikipedia and made a decision on that basis. I saw it last week and quite enjoyed it, sure its nothing spectacular, but worth a watch in my opinion, intro is awesome heartwrenching watching the little boy fall to his death.”

“Lars Von Trier is a garbage director but this movie looks interesting……. Yes, America is getting there asses handed to them in the horror genre nowadays but still have more great horror films then any country. As of right now, the best horror movies are coming out of Europe, especially France with Inside and Martyrs which is the ultimate feel bad movie and in my top 10. The Nightmare On Elm Street remake is another example of America kicking itself in the face. why fix something that isnt broke?”

“‘still have more great horror films then any country As of right now.’

Um… Japan? You know, the country where at least 50% of American horror movies are ripped from. The Ring, The Grudge, Pulse, Dark Water… etc.”

“I don’t know. When I think horror movies, I think Texas Chainsaw Massacre, Freddy Kruger, It, Pet Cemetary, Psycho, Evil Dead, The Shining, Leppricon, Friday The 13th, Night Of The Living Dead, Dawn Of The Dead, Amytivill Horror, The Exorcist, and The Omen.

Editor’s note: I do believe that he of course meant Pet Semetary, Leprechaun, and The Amityville Horror.

“Every single one of those films was made during or before the 1980s. Save ‘IT’, I think that was made in 91, still 18 years ago. Thanks for proving my point. American horror is truly a thing of the past.”

“Great movie. Choice labia snippage. LOL!”

“This film was disturbing but fantastic at the same time.”

“What The Fuck Is Wrong With This Movie.””Is that William Defoe talking?”

“Yep, it’s him.”

“Why don’t they just get the fuck out of the woods?”

“LMFAO, I could make a WAY better antichrist movie then this piece of shit.”

“Isnt that the green goblin? hahahaha.”

“kk There is a scene where she snips her clit off lol. And she also like if i remember hits his nuts with a board and then like jerks him off, and he cums blood. LOL.”

“Thumbs up if you found Willem Defoe’s pendulous ballsack hypnotic…”

“I didn’t get what this film was about. The acting was still great though.”

“I can see judging from the comments that this trailer has just created a majority of douchbags.”

“Stop fucking spamming the comments with your boring shit. JUST SHUTUP.

Anyway, can someone tell me what the underlying themes or messages this film is meant to have? I’ve been reading up alot about it lately and I’m not sure whether I want to pay to watch a lady cut her clitoris off if none of the film has any relevance or point…”

“What’s with the hands coming out beneath the tree? Can someone explain?”

“BORING” and also “Creepy.”


“It’s not porn until you touch yourself.”

“‘Nature is Satan’s church.” An interesting statement…”

“I wouldn’t agree with that. Nature is the most beautiful thing.”

“I know, i never said I agreed with it. In fact I disagree, but interesting.”

“The idea of ‘nature being the devil’s church’ is taken from the greek god Pan. He was a satyr, half man, half goat and lascivious, who had horns on his head (i.e. the image of the Christian devil). The trailer doesn’t explain much about the movie’s plot though.”

“What happens in the woods, stays in da woods.”


“hell yea i agree with u”

“Does this statement apply to you too, then?”

“No I’m not trying to act like a genius. Just someone who’s pissed off.”

“And now your one of them…plus you went and made it all caps to show just how pissed off you really are, but no one cares.”

“And I’m being told this by an idiot who doesn’t know the difference between ‘your’ and ‘your’e.'”

“Kickass movie.”

“It’s amazing the stories girls make up for a shag in the woods.”

“From the trailer, it looks like candy for aged degenerates. It could have a story but I’m sure that it is lost somewhere between the stressed visual effects and skin slapping. Yeah, just like any typical Hollywood plots.”

“This move scared the hell out of me, but it’s also one of the most beautiful things I’ve ever seen. I can see where some people wouldn’t like it, but it’s raw and it’s honest.”

“Poor Jesus…….. I bet his asking WTF i sthis shit?”

“A hyper-intellectual making horror movies for intellectuals – not quite the widest target audience. The only reason why people hate this movie is – they don’t understand it. I don’t get how this thing got into mainstream.”

“Lars Von Trier is not an intellectual. He’s Danish. Don’t let the foreign accent intimidate you, small fry.”

“I’m worried about the way it’s filmed. Looks documentary, and documentary related filming techic… IS NOT ENTERTAINING!”


“Does the movie have to do anything with the title? If yes let me know. Or else I don’t want to watch.”

“Does it not portray the metaphor for witch craft? And therefore the title refers to the woman?

There is a painfully obvious bible metaphor in the forest of ‘eden’ and her book is called gynocide, which is a term coined by Mary Daly to make reference to the abnormally high amount of women murdered in early modern Europe for being witches.

That’s my take on the film.”

“What the fuck this is a fucked up movie?”


“There can’t be an antichrist because there was no christ, nor a god.”

“You’re an idiot.”

“You’re the idiot if you believe all of that bullshit.”

“Liberal troll.”

“fuck u bitch.”

“i aint no bitch troll. whateva, i do wat i want!”

“No way in the world Jesus will arrive on August 14, 2014. You would know that if you are a true Christian.

‘No man will know the date or hour of the end times.’

-Revelation… I forgot what verse exactly… I will have to look it up.”

“…LOL. Define a true Christian. But you are right.”

“The only True possible antiChrist is the Christ himself…. just not his Good side. Instead of Mercy he will be Revenge to those who dont Know he is Mercy.”

“Yeah, could be, but it could also be that a book written by nomadic desert goat herders who thought the earth was flat… just isn’t true.”

“This film might as well be a violent porno.”

“I just finished watching this movie….and it is the most GRAPHIC, BIZARRE, CRINGE-WORTHY film I’ve ever seen in my life. There is so much sex in this film and it’s not the least bit pleasurable to watch. Be cautious when watching this movie…”

“It fucking made me gag when she smashed the guys balls with a wooden block and made him ejaculate blood.”

“Eat shit and die and include spoilers next time.”

“I find this Ironic considering Defoe played Jesus. (an Ax wielding Jesus.)”

“Where did you get the axe from?”

“I feel a bit of William Blake like art in the tree-copulation scene.”


“Nature may inspire ideas, but it is logic and reason that shape and critique our perceptions of nature. Having an idea is not the same as logic. Logic & reason are not measurable by natural means. Just because our minds exist in a physical body doesn’t make the things we think of physically real. Logic could exist without nature. But nature is constructed and depends on logical laws. It cannot exist without them, and therefore it cannot itself have created it. Logic must preexist nature.”

“Sorry, but you’re so wrong it’s funny. If one is constrained by logic, then one is surely not omnipotent. If god created all things, surely he created the laws of logic, and therefore he can bend those laws at will.

Of course being that you’re a mentally ill religious lunatic, you’ll just attempt to twist my ‘logic’ to fit your own deluded view of existence. Sometimes I pity you religious nuts…but most of the time I just laugh at you.”


“If God exists – he would either:

A. Tell us he exists – by appearing in person when we reach age of reason and tell us what the FUCK is up. Or in some other shape or form influence all of the humanity and inform us – BIBLE, QURAN and SHIT don’t count.

B. Make sure we never suspect shit and would deny our mind to understand such things as god.

There is no shit in middle of – Some believe and some don’t. Since it is not A or B, he simply does not exist.”

“Oh look ANOTHER religion fight on youtube. WHAT ARE THE ODDS?”

“I know, right. I was expecting comments about the movie.”

My favorite:


“God forgive your sins & open your eyes to the truth. =)”

“What ‘sins?’ Because we have ‘penises’ and ‘vaginas’ is thinking about sex ‘satanic?’ Because we think that there ‘is no such thing as good religion’ is satanic too ? What do you think; were you ‘created by god’ or ‘born from mother and father?'”

“Don’t you have any respect for a person’s beliefs?”

“No, I don’t.”

“Where can I download this online for free?”

Editor’s note: There are a lot of arguments on this comments thread trying to rehash a lot of the same logical exercises to either prove or disprove the existence of a God or a creator or whatever. The term “four sided triangle” gets thrown around a lot, it seems.

“I thought this movie was absolutely great until the gore porn started. It makes me feel like a lost a friend. It was THIS close to being a psychological horror masterpiece, and then BAM. Bleeding penis.”

“ha ha ha…. Stupid stuff. People having sex among dead bodies! Big deal…. Trying so hard to look evil. Evil is within each and every individual already…. Can’t go looking for it among scary stuff. Seen how it comes out when you start getting jealous of someone’s promotion? Or somethin like that…. There’s evil right there! Control your own…”

“It’s just a film, dude.”

And last but certainly not least:

“This movie is just a plain awesome peace of Art!

Lars did great on that one, the most epic art piece I have seen in many months!

Very twisted and nerf wrecking tho.”


Music is the mediator between the spiritual and the sensual life.”

-Ludwig van Beethoven.

Images by Julien Pacaud.