Tales told by an idiot…

So, yesterday I was thinking about the idea of “today” and today is yesterday’s tomorrow and you could really go on with that kind of talk forever. And it gets you thinking, every single yesterday and today and tomorrow and tomorrow and tomorrow…

And of course I’m talking about the soliloquy from Act 5, scene 5 of Shakespeare’s Macbeth. You know, that thing they made you memorize back in high school. The scene itself is brilliant, starting with Macbeth learning of his wife’s death and followed by the news that his enemies are fast approaching and that the prophecy that will end him is unfolding before his eyes, but there in that brief moment, Macbeth has some time to himself alone in his own ruin, and he can wax on with resignation and anger about the dreaded continuation of life, the despair and the agony and the lack of choices we get, and the futility of it all. Death comes. It always comes. But it’s left up to debate if Macbeth is possibly choosing his own death right then and there.

In fact, that was the nice thing about how we have Shakespeare’s plays now, so lacking of most stage directions, leaving them open to a vast majority of interpretations. And when you’re thinking about tomorrow, whether you’re dreading it or eagerly looking forward into it’s complicated winds, the last thing you want is anything written in stone, right? Things should always be open, breezy, the path changing along with you…

Anyway, some videos. Above is Ian McKellen tackling the role in 1978 (with Judi Dench as Lady Macbeth) and the soliloquy and below is Jon Finch doing it in Roman Polanski’s 1971 adaptation (with Francesca Annis as a younger, softer, more determined Lady Macbeth [who did her sleepwalking soliloquy - "Out, damned spot!" - in the nude]). They’re obviously differently staged since Polanski’s is an actual film treatment of the play and McKellen is starring in a TV adaptation of Trevor Nunn’s run with the play, but McKellen’s just absolutely seething and nearly exploding with presence and Finch just looks like a guy doing a bit of acting after a few rough weeks or maybe a bender or two. To me, anyway. But while watching the video above, I got a little bit of a flashback to James Marster’s peformance as Spike on Buffy The Vampire Slayer. I wonder if the works of young Ian McKellen informed Marster’s English impression/accent? Or maybe that’s just me too.

And, because I find it interesting, below I give you Sir Patrick Stewart (with something of a porn star mustache) giving you a little advice on how to perform the “tomorrow and tomorrow and tomorrow” speech just as it was given to him by McKellen. I think it’s interesting that they both stress that the word to be emphasized is and.

The Counterforce Casting Couch: Independence Day 2

Let’s face it, Hollywood is never going to fund a big-budget original movie ever again.

Search your feelings, you know it to be true.

Marco and I have been talking for a while about doing a series of posts on movies that should be made. Now don’t get me wrong, the projects we’ll be proposing shouldn’t actually be made. In a better world, the budgets would go to real artists who do good work, but that’s not the world we live it, and at Counterforce, we believe in making the best out of a bad situation. Just like Liam Neeson.

no thank you

no thank you

So, let’s get right down too it. You know, you know they’re going to make an ID4:2 some day, so we might as well make it enjoyably bad. Hell, just the idea of watching this movie instead of some Michael Bay cartoon-adapted crapfest gives me a boner. You can never ever go wrong blowing up as many international landmarks as possible.

Thus, The Counterforce Casting Couch: Independence Day 2

PREMISE:

This is gonna be a little rough, we can fill in the blanks during lighting shifts on the set. So, it’s like 20 years after the event of ID4. Will Smith is the President, obviously. The White House will have just finished being rebuilt and look exactly the same as before. Jeff Goldblum will basically be playing Al Gore. Sorta Green Living Apostle / Technocrat in Chief. Shia LeBeouf is Goldblum’s rebellious kid and Aaron Yoo is his buddy who films all their wacky adventures on his Flip Camera. There will be some drama because Shia doesn’t know his dad was a hero because Goldblum’s role was classified or something.

aaron-yoo-shia-labeouf

Ryan Kwanten from True Blood will fill in the Hick Character contingent with his little jailbait sister, Dakota Fanning. I threw a lot of brits into the cast so there can be other groups of characters in the UK and Australia, Iraq, etc. Famke Janssen will play somebody’s wife. Maybe Bill Pullman’s.

dakota_fanning

So, the Aliens come back, only this time, they come in peace and claim to be seeking asylum. Apparently these aliens are the not-evil faction of the bad guys. Will Smith will have all these mixed feelings because he hates aliens, but doesn’t want to be prejudiced to the nice ones. It will be like that scene in Star Trek 6 where Kirk talks about the klingons who killed his son, only this time it will be Will Smith saying it, and he’ll be talking to the First Dog.

Ryan Kwanten

Obviously, the bad aliens come back and destroy a shit-ton more monuments and landmarks. They’ll be led by Nic Cage, who is some kind of evil billionaire who helps the Aliens in exchange for world domination. Definitely gotta sack the Burj Dubai, the White House, Big Ben, the Golden Gate, the Vatican, etc. But this time, the good aliens have shared some of their technology, so the fight is slightly more fair, but earth still gets its ass kicked and the bad aliens occupy the planet. This would all take place on July 2nd.

yeah, that shit's gonna fall

yeah, that shit's gonna fall

The next day would be a lot of failed counter-offensives and characters hiding from Alien stormtroopers. Then Shia LeBeouf will decide to form a resistance and Aaron Yoo will do all the tech shit to get the word out on the internets. Ryan Kwanten will be there with Dakota, and he’ll turn out to be some kind of hillbilly ass-kicker. I see a scene with him, shirtless, feather tied to the back of his head, destroying enemy food supplies boston-tea-party style. Then we’ll cut to Said Taghmaoui in Iraq with a British accent and he’ll be all, “It’s the Americans, they want to organize a resistance, about bloody time!”

not the bees!

And then July 4th will be the big counter-attack. Aaron Yoo will die. Will Smith will fly an alien fighter ship with Bill Pullman as his wingman. They’ll fight their way to the mothership, land on it, then fight their way to Nic Cage’s lair on the bridge. Somehow, Jeff Goldblum will be there too. A big fistfight later, Will Smith wins, then escapes and Bill Pullman and Jeff Goldblum pilot the Mothership into the sun, sacrificing themselves. Shia hooks up with Dakota Fanning, and then after the credits roll, Samuel L. Jackson walks into a bar to talk to him about the Avengers initiative.

And… scene.

Fuck yeah!

Fuck yeah!

You know you’d pay to see it.