“It’s fate. Some people are just supposed to suffer.”

We thought we’d start with a countdown of some of the great flashback moments of Lost. Surely this list alone could be dozens of moments long, but in the end, you just have to make some cuts and go with it. We decided to slant these towards character more than plot.

So without further adieu…

The 10 Greatest Character Flashback Moments of Lost

10. Jin visits his father in Korea

Season 1, …In Translation

We forget sometimes that Jin started off the show as kind of a chauvinist jerk. And Sun’s first flashback episode didn’t do anything to dissuade us of that notion. But Jin going back to the father he was ashamed of, and getting some much needed support, was the kind of moment that Lost is famous for: taking a character who was two-dimensional and giving them depth and nuance.

9. Kate and her childhood friend dig up the time capsule

Season 1, Born to Run

I’m cheating and also using this to rope in the part where Kate goes to see her mother and the mom totally freaks out. But the scene with Kate and her childhood friend Tom who became a doctor has the right kind of burned nostalgic poignancy. Hearing their own hopeful, naive younger selves on tape is a punch to the gut. ‘It’s not fair you know, you coming back,” the doctor says.

8. Boone and Shannon have hate sex in Sydney

Season 1, Hearts and Minds

“We’ll just go back.” “To what?” “To what it was.” It’s kinda surprising in retrospect that a show that aired at 8pm was able to work in hate sex between two step-siblings. Not just the gratuity, but the idea behind it. Boone gets what he wants, only it’s horrible, drunken and fleeting.

7. Desmond meets Faraday at Oxford

Season 4, The Constant

Always thrilling to see two characters meet in a flashback, and putting time-crossed Desmond together with physicist Daniel Faraday was A) awesome, and B) perfectly allowed the writers to establish a little science behind the time travel they were about to dive into. Suddenly the purple sky, the electromagnetic phenomena and the Island started to make sense. A little. Plus, Faraday is rocking some righteous hair.

6. Juliet’s Ex-husband gets hit by a bus

Season 3, Not in Portland

You knew it was coming, and Hollywood has really perfected the special effect of someone getting hit by a car, but it was still pretty sweet to see happen anyway. As an audience, we begin to learn what the Others are capable of, even off the Island.

5. Ana Lucia shoots her attacker

Season 2, Collision

Other shows might have had Ana Lucia confront Jason before backing down and just arresting him. On Lost, she kills him. And when she says, “I was pregnant,” it’s easy to see her side of things.

4. Christian and Sawyer meet at a bar in Sydney

Season 1, Outlaws

Up to this point, Christian had seemed like a pretty terrible father, but drinking with Sawyer, we get to see another, more humble side of him. “To Sawyer, may he find what he’s looking for in the bottom of a glass,” Christian says. It would have been impossible for Christian to ever share a moment like this with Jack, but due to cruel twists of fate, at least Sawyer was able to relay the message.

3. Desmond and Penny first meet

Season 3, Catch-22

It kind of came out of nowhere, this whole episode where you’re like ‘Holy shit, Desmond was a monk?’ And then he gets fired and boom, there’s Penny, love at first sight and all that.

2. Young Ben encounters Richard in the jungle

Season 3, The Man Behind the Curtain

A fateful meeting and the kind of flashback scene you watched over and over after it happened. 1) Richard Alpert appears to be ageless. 2) Richard doesn’t appear shocked in the slightest at the idea of Ben seeing his dead mother. 3) “Maybe this can happen, maybe… but you’re going to need to be very, very patient.”

1. Locke gets thrown out of a window by his dad

Season 3, The Man From Tallahassee

The writers had been teasing this moment for years. You knew something terrible happened to cripple John Locke, but you never knew how it happened. When the writers finally revealed it, they didn’t disappoint. Locke flying out the window was one of the more shocking events of the series, and there really isn’t a single other flashback moment that compares.

Lost in real time…

As a nice prelude to the upcoming 100 Greatest Moments of Lost, an awesome new discovery on the internets…

The crash of Flight 815 in real time, done 24-style. Culling material from: The Pilot, “The Other 48 Days,”  “Live Together, Die Alone,” “A Tale Of Two Cities,” “One Of Us,” “The Other Woman,” and also the mobisodes “The Envelope” and “So It Begins,” and I believe that’s it, but I could be wrong. Am I missing something? Anyway, kudos to whoever put this together and I’ll have to agree with Damon Lindelof about it: Wow.

Also, new season 6 promo, finally with new footage:

Exciting, right? Claire in Rousseau mode. And kind of heavily hinting at the return, which we already knew about, and just isn’t that exciting. Oh well. Everything that has a beginning also has an ending.

When worlds collide.

Completely unrelated to anything interesting or worthwhile, I was just watching the episode of Lost where Richard Alpert leaves the Island to go watch baby John Locke be born in the early 50s. This is, of course, because adult John Locke traveled back in time to visit Alpert a few years before that moment, told him when he was going to be born, and suggested that he drop by.

And then, coming into my online peripherals, was a promo image from the upcoming season (I’m busily making my way through the season 2 DVDs to get ready) of Mad Men, which is set in the 60s.

It occurs to me that somebody should really write atrociously bad fan fiction where Richard Alpert and Don Draper share words, a drink, and if you’re turning that fan fiction into slash fiction, perhaps an extramarital affair. But that’s up to you. (I don’t like that the only acting DNA that Lost and Mad Men share currently is that annoying guy Phil who thankfully got impaled in the season finale.) Personally, I’d totally watch a spinoff where Richard Alpert and Don Draper open up a bar in Key West and have to team up with pirates and Ernest Hemingway to seek out long lost ghost treasure. And they don’t bring Connor from Angel along with them.

Islands of the dead.

I’m just going to be as cut to the chase and classy as I can with this: last night’s episode of Lost gave me an erection of awesomeness.

I mean, right?

Predictably, since it was a Ben episode, we got a little more details, some holes filled in the various back stories, and plenty of fodder for future speculation.

Some quick thoughts:

Locke. Granted, it’s a Ben episode, but I really dig the “new John Locke” that we’ve been seeing post-resurrection. He’s more serene, operating with more of a purpose, and appears to have a Nic Cage-sized sense of knowing things. Goodbye sometimes confused and lost old man, and hello to embracing the fully confident new leader of the Others. And it sounds like he’s not crazy about housing his people in the barracks when they could be out in the wild. Roughing it!

Ben. He’s always been a little more than just the villain of the piece, but now, I have to say that it’s riveting watching him constantly working his games on people and setting up his machinations. And Michael Emerson’s portrayal of this character is fascinating in that no matter how confused or thrown for a loop the character ever could be, you can tell that the wheels are always still spinning in his brain.

Sure, the guy’s always lying, but I think that his most honest moment was probably last year when he was traipsing through the jungle with Hurley and Locke and had to pause to say: “How many times do I have to tell you, John? I always have a plan.” Good times.

Caesar. Ha ha.

Rousseau. Her encounter with Ben not only made me think that we may actually be done with her character now, but also makes me want to go back to season 2 and watch his first episode again. Lindelof wasn’t kidding when he teased that the two of them “had words” at some point in the past. Also, I think that the whispers have moved up a slots higher on the list of things I’m curious about.

Alex. Interesting how she became both Ben’s one decent quality (and you just have to be amazed that she was raised as well as she was, considering who her “dad” was) and seemingly that noose hanging over his head.

Richard Alpert, Benjamin Light’s #1 man crush. For starters, Ben was totally his Alex, right? Seemingly he was always cheering him on just a little (until Locke came alone), yeah? Secondly, he totally lies to Widmore about what Jacob wants, but Widmore just kind of goes with it, which I find fascinating, even though he really din’t have a choice. Speaking of which…

Jacob! Seemingly, he and the Island are one in the same, especially if you wanted to use them in a sentence. So, If I were to say to you, “Jacob wanted me to kick you in the balls,” then you could easily just as well say, “The Island wanted me to kick you in the balls.” Also, Jacob seems to be the magic word to use in just about every situation. You’re pissed and want to know why I just kicked you square in your balls? It’s simple. Jacob wanted me to. Sorry. You can’t argue with that.

Charles Widmore. Well, Chuck here didn’t leave the way I was thinking he would (I was hoping for a turn of the frozen donkey wheel, after being tricked into doing it by Ben), but this was just as interesting. Of course, after the fiasco with the baby Alex situation, it didn’t seem like it would’ve been too hard for Ben to make quick business of him. Also, try to ignore that he’s seriously rounding up on how long he’s been trying to get back to the Island.

Also, it’s interesting to see the new guy playing the middle aged Widmore, who looks a lot like Alan Dale, especially with that wig they gave him. Of course, the guy who played teenage Widmore back in the 50s looked a lot like Alan Dale too. Oddly, teenage Widmore guy and middle aged Widmore guy look nothing alike. Let’s hope they do just as good with the actress coming in to play middle aged Eloise.

Annddd, I’m fascinated by the symbol on the vests of the Others guys who were escorting Widmore (don’t ask my why, but I got a total Nixon vibe in that scene) to the submarine, which also had the symbol on it. It seems to be based on the Taoist ba gua, much like the DHARMA logo. A hold over from the Purge?

Desmond! A collective “Whew!” comes over the audience to find that his family and he weren’t violently murdered by Ben, even though I think Ben effectively got the revenge he sought against Widmore in the transaction. But also perhaps found a glimmer of a soul in himself too. And we got to see Desmond deserve a nice little beat down as well. I really want to go watch that sad little phone call Ben makes to Jack in “316.”

The Monster! Ah, the monster. They tell us over and over again, that it’s not a nanotech swarm (which I really want it to be even more now after having finished Michael Crichton’s Prey today), and yet… wouldn’t that make perfect sense? The way the “creature” transitions from it’s Monster state to it’s human replica capable of real conversational interactions (and throwing people against walls) is intriguing as hell.

Also, like Locke, I think all the monster wanted was an apology and some remorse. And some undying fear of God loyalty for the new leader of the Others. And you know what? I think it’s going to happen.

Oh, and The Question: What lies in the shadow of the statue?

Ooooh. I think something very interesting it happening with the red shirts of Ajira flight 316. Perhaps their tiny brains are being taken over? Or perhaps, just perhaps, they aren’t there on accident and have something to do with the upcoming war that Widmore has warned us about. Plus, I love that Frank Lapidus enters every scene he’s in like he just stumbled out of a bender. If they only gave him a drinking scene with Desmond he’d be my favorite character.

Next week: Miles talks to dead people! (Spoiler: Naomi appears). Dr. Pierre Chang! Hurley (who also talks to dead people) and… what appears to just be some awesome good times with the DHARMA gang back in the 70s. That, or we’re going to outer space, brotha!

But tonight is the premiere of Harper’s Island, the 13 week close ended episodic television version And Then There Was None meets your average cheap slasher flick, where a group of well to do strangers go to a wedding on an island, and then slowly get picked off one by one by a mysterious killer who has a beef with them from the past.

At Wonder-Con, Lollipop and August and I attended a panel promoting the show, but held by the makers of the Lonelygirl15 franchise, who were executing an online web series meant to tie in to the main show. The whole presentation was laughably bad, and the show appeared to be ridiculously shot “video blogs” of a cute girl who couldn’t stop herself from accidentally filming her boobs all the time.

I love mysteries and horror movies, but I’ve always preferred the “slasher” films because, typically, you get that little bit of whodunnit involved. The mysteries are usually either retarded or too easy to figure out, but maybe that’s half the fun too. More so if they’re trashy. And this show just sounds like one of interesting ideas that can only be executed horribly. I’m watching the first few minutes of this as I type and aside from Final Girl to be Elaine Cassidy (who was wonderful in Atom Egoyan’s Felicia’s Journey), Richard Burgi being his usual level of sleaze, and Harry Hamlin making eyes at some twink in the wedding party, this is just a bunch of nobodies that you can’t wait to see get offed (though I’d suggest that you just go watch the original April Fools’ Day instead). Secluded island murder porn, here we come.

Top 5 of Lost: #4, Walkabout

I never noticed this before today, but the noise Locke’s adding machine makes at the box company is the same noise the smoke monster makes. The sound guy even adds some reverb to it going to commercial to complete the effect. That’s fucking planning ahead.

Lost

Previously, on Lost. Oceanic 815 crashes on an island and the survivors band together for safety on the beach while something big knocks down trees in the jungle. Up to this point, Lost had already hinted at a few mysteries: The French Woman’s Transmission, The Monster, The Polar Bears — but with the fourth episode, Walkabout, we begin to see the more mystical, spiritual side of the show. And that side is deftly realized in a castaway suddenly thrust forward as a Major Character: John Locke.

"Do you want to know a secret?"

"Do you want to know a secret?"

We would only find out later just how critical Locke is to the dynamic of the show, but for now, he’s the great white hunter who is first to realize the need for survival skills, as the other survivors still cling to the idea that rescue will be coming at any moment.

"You either have very good aim, or... very bad aim, Mr...?

"You either have very good aim, or... very bad aim, Mr...?"

In Locke’s flashbacks as a paper pusher in LA, we quickly see the contrast in him on and off the island. The crash has become Locke’s walkabout, and while everyone else is panicking, he’s finding himself. Locke and his Risk-playing, white-man tactician ways are unique, yet instantly familiar. He becomes a character we thought we always knew. I think one of the secret appeals of Lost is that everyone, deep down, wants to crash on a deserted island, (provided they survive of course). The island, in our modern, dull society, is a place where we can become who were really are. And Locke becomes the mysterious, confident hunter. “Call me paranoid,” says Jack, “but anyone who packs a suitcase full of knives…?”

"Locke. His name is Locke."

"Locke. His name is Locke."

Walkabout is the story of why Locke was packing those knives. It is a perfect building-block episode, expanding characters, plot and “mythology” in every direction as it goes. There is no A story and B story. There’s flashbacks with John Locke, Charlie and Hurley trying to catch a fish for Shannon, Kate and Michael going hunting with Locke, while Kate also tries to plant an electronic device in a tree for Sayid, Claire begins gathering personal effects for a mass funeral and Jack tries to comfort a catatonic Rose, while going a little crazy. (side note, that shot above is fucking beautiful. Not only does Lost have excellent writing, but its photography and direction are better than most big-budget films. Kudos to the entire production crew.)

The Colonel at work

The Colonel at work

All these elements make a great episode, but then we also have two awesome reveals. The first: Locke meets the Monster. We don’t know what happens and Locke isn’t telling but he survived. Locke’s encounter with the Monster is one of the enduring mysteries of the show.

"I've looked into the eye of this island, and what I saw was beautiful."

"I've looked into the eye of this island, and what I saw was beautiful."

But perhaps even more key is the second reveal, which is probably the moment when Lost officially rose to The Next Level.

"Don't tell me what I can't do!"

"Don't tell me what I can't do!"

Terry O’Quinn does a wonderful job capturing the frustration of a man who believes he is capable of more than his body allows. Seeing John in the wheelchair, and suddenly realizing how slyly he was framed in all of the other flashbacks, is an epiphany not just for the show, but for the viewer as well. Only now do we realize all that is possible on the island. Locke is the embodiment of a universal human condition: the belief that there’s more inside of us than other people can see. And the lasting appeal of Lost won’t be the twists, but the excellent character drama that those twists create.

"Boone was a sacrifice that the island demanded."

"Boone was a sacrifice that the island demanded."

See you in another day for #3, brotha!