It’s such a weird time of year, as it starts getting colder in most places, probably especially in our hearts and in our memories, and yet we cast our gaze ever backwards, trying to search our sonic amusements from the past year for value. What was important. What was worthy of being called “the best of” this odd little year that was.
I could wait forever for your answer and you could wait even longer for someone else’s answer, but here’s mine. I hope other members of Counterforce will pipe in at some point with albums/singles/music they valued in the past year, especially as we start cutting up everything of pop culture into lines to put in lists and snort up. But this is my picks, music-wise, albums either released or leaked into the blogosphere and my world this year, split unnumbered into three categories: The Best Of and Somewhere In The Middle and Albums That Let Me Down This Year. That’s probably about as clear as I can be with categories. Now, let’s take a look back…
THE BEST OF:
Grizzly Bear, Veckatimest.
As I’ve seen many people say online, you might like this album if the album title alone attracts your interest. Simply put, this feels like a lovely dream pop/electronica soundtrack to a 60s horror movie about wandering sonic textures hunting down pop songs that I desperately wish was waiting out there for me to discover it.
The best album produced via GarageBand with songs inspired by Woody Allen and Disney movies ever.
Quite frankly, car commercial music has never sounded this good.
The Raveonettes, In And Out Of Control.
Where noise rock, shoegaze, space rock, post punk, and a truckload of dissonance all combine into a giant wall that falls down on you, crushing you. Or, exploding your head, if you will. Not a band for everyone, and definitely not an album for everyone, but if you love sonic death waves, this will be your bag.
I’ve been a huge fan of Hannigan’s work with Damien Rice but always disturbed that she’s been relegated to being in his backing band when her talent has always seemed up and front there with Rice’s own. And honestly, I can only watch/listen to a sad man moaning and keeping a girl down for so long. I hope this is the beginning of Hannigan conquering more and more accolades.
Oh yeah, remember that this came out earlier this year? A solid album, definitely, but not totally compelling in a long term sense, but maybe nothing can be after a mountain like “Maps.” Regardless, I think this album works as a whole and still carries several excellent cuts on it. Silly though it may be, “Soft Shock” is a personal favorite of mine.
SOMEWHERE IN THE MIDDLE: Albums that are solid, but perhaps over hyped a tad. Or, albums that I like but sadly don’t love.
“Baroque pop” is how Wikipedia describes this album, and I can see it. It’s indie rock, and it’s well done, but it’s not my usual cup of tea. And I think the album reinforces that, actually, by always impressing me, surprising me with it’s mechanical beauty, but never making me feel like I am a part of it.
Mr. Hudson, Straight No Chaser.
The album is not so bad, but “Supernova,” the Kanye-produced (who also guests, of course)(and continuing his quest to either become European or just conquer European music) lead single by this British artist is my pick for what should be one of the songs of the year:
Bat For Lashes, Two Suns.
Dinosaur Jr., Farm.
Good, solid music, but not worth the hype. Praise comes too easy to some people who are not gifted with the depth of thought or true judgment.
See above, though this album has more going for it than the Girls album, I feel. Years from now, or possibly just months and days (with the way my life is going) I will quite possibly fall in love with this album. It’s simple in a way, understated, clumsy in a practiced way. There’s a nuance to it, but make no mistake: This is a album for the loneliest, horniest of hipster.
Handsome Furs, Face Control.
No longer a side project and now what feels like a good and proper musical collaboration between Dan Broeckner and his wife Alexei Perry. It fascinates me that their reference to New Order got this album delayed while it was cleared legally. There’s a beautiful rhythmic groove hatched in this album.
This is, without a doubt, the album to take drugs to and then take your clothes off to of the year. Enjoy it with another person, but it’s still good by yourself too.
La Roux, La Roux.
A shock and a revelation as far as European dance music goes. Bright, shiny, and beautifully off kilter.
…And You Shall Know Us By The Trail Of Dead, The Century Of Self.
Third Eye Blind, Ursa Major.
Originally entitled “That Hideous Strength,” taking it’s title from C.S. Lewis, this is a nostalgia pick that doesn’t totally betray me but there’s nothing resembling fireworks on this album. I’m probably the biggest fan in the world of their previous album and this one feels exactly like it was: six years late and the product of a long drought of writer’s block, but definitely the work of the same artist. The band will release their own version of Amnesiac, entitled Ursa Minor, at some point.
Atlas Sound, Logos.
Vivian Girls, Everything Goes Wrong.
Mastodon, Crack The Skye.
It’s a crazy, fun music party until someone has the balls to challenge Satan. And this English/German indie rock band, with beautiful production by Black Francis, who take their name from Jean Dubuffet’s name for outsider art, lose to Satan, of course. But it’s a tight, clean, and highly listenable loss.
The Antlers, Hospice.
Florence And The Machine, Lungs.
The album is decent enough, but all you really need to know is the song, “Dog Days Are Over.” Give it a listen and then tell me if I’m wrong.
ALBUMS THAT LET ME DOWN THIS YEAR: Maybe they’re not terrible, maybe they have some strong points, but like I said, they let me down.
A Sunny Day In Glasgow, Ashes Grammar.
U2, No Line On The Horizon.
Still the biggest band in the world, no matter how much it upsets your stupid sensibilities. The sad thing about being on the top though is that you can only fall down.
Julian Casablancas, Phrazes For The Young.
I’m not gonna lie, I didn’t expect much from Casablancas. This album isn’t horrible by any means, but never lives up to the possibility you felt in it’s lead off single, “11th Dimension.” The rest of the album, which references Oscar Wilde in it’s title, feels like a few normal rock songs with extra silly production layered onto them by Bright Eyes’ Mike Mogis. If I was in junior high, or at least floating around somewhere in the first few years of high school, I would probably think this was the greatest thing ever and might request it at a dance or something. And possibly adding insult to injury, I give you the song (which I actually like quite a bit) by Courtney Love that’s about Casablancas:
The Boy Least Likely To, The Law Of The Playground.
Better Than Ezra, Paper Empire.
Another nostalgia pick. BTE, actually, used to be my favorite band. It’s a long story, one that started with a girl, but thankfully, at the end of the story I was left with the better of the two: the music. Now I feel like I don’t even have that. For a band that that mines a brand of “cool” and “joy” that is wonderful and easy to inhabit, I would easily recommend this band. Their previous album was slyly wonderful, as were all of their albums before that.
I think I’m just over this. I appreciate music that sounds like you’re on drugs but I have grown to dislike the Mars Volta’s evolving sound into my needing to be drugs to find an appreciation groove in what they do.
Well, this has been my 2009 in music, for the most part. The best of, the solid and entertaining, and the stuff that let me down. There’s some highs and lows in here, as far as music released/leaked this year goes, but these are my peaks and valleys. What do you think? And what was your year in music like?